independent web publishing for musicians

Music Publishing and the Web: Back to Basics | MiDNiGHT PARKiNG

Going back to the most basic questions:

a) How do musicians publish their work and support themselves?
b) How do listeners find new music?

To answer the first, I would argue that any semi-professional musician that wishes to build a career off their work should establish their own unique website. It is more work but the benefits are tremendous – the artist maintains complete control over their work and can determine exactly how their work is published, distributed, licensed, and sold (even setting up their own storefront). The idea should be that this site is the *exclusive* method for updates, downloads, and sales of music.

Rather than use a social network or third party publisher, I own the domain where I do my music and writing. This creates a big problem in attracting people to listen or read, but it means that I own the upside when it happens.

It also means that I can do a decent job of keeping up with updates, since I don’t have to keep up with multiple social networks.

The Beastie Boys’ Myspace is just a pointer to, and is an unusually lively and well-maintained artist site. Which goes to show that:

  • There’s a good reason why the Beasties have done so well over the years — they get the point.
  • Artist sites have to be living things with a regular flow of updates. You are better off with one well-maintained site than many badly maintained social network profiles.

On the other hand, having many badly maintained social network profiles is a better approach than a mersh band site with a pretty but sterile environment. A band’s site which is just a department store window display is the only thing worse than an abandoned Myspace.

I don’t mean to imply that going it alone is always the right thing. There are no aggregators for musician blogs. A musician blog is an inward thing — it’s about your own music, not anybody else’s — so the few musician blogs that do exist have no reason to link to one another, and the network as a whole is going to have a hard time getting cohesion. Music listeners are technically unsophisticated, so relying on RSS subscriptions for stickiness is a bad idea.

There are problems, in other words. But good things are usually harder than normal. It’s worthwhile.